brought
to you in living colour by Quietfire Design
May 2006 - Issue
54
Gentle Thoughts |
Important links at your fingertips!
|
Here
is what's in this month's newsletter:
|
|
||||||||||||
This is a great place to look for articles (or your favourite artist!) in past issues of byhand. |
||||||||||||||
Hi there, Artlings Here it is! Drawn by my 12 year old son - 5th Anniversary Challenge!Francie Davies from Sherwood Park Alberta! (The photo is her Dad in the Navy) Thanks so much to everyone who sent in a post card! - I think most of you must have been out in your gardens! Everyone who sent in a submission will be receiving a little present in the mail! Click here to enlarge each of the submissions for the draw!
If you know someone
who would like to receive notice of byhand,
just have them email me and I will put them on the list. Bye for now
and thanks for visiting! suzanne@quietfiredesign.com |
Please drop into my
other website: It changes every month!
|
go to the top |
||||||
Books to Inspire
|
Quietfire 2006 RetreatWestcoast WhisperingsFriday evening, Saturday and Sunday, July 21-23, 2006 Planning for this year's retreat are coming right along.
This year's project will be a book in a box, but not just any box. Read on...... We will be going on beach and
forest walks to collect treasures to decorate a locally-made finely
crafted cedar box. The same gentleman who creates my cedar book
covers will create the boxes sized just for us. Not only will the box
contain our collected treasures of twigs, shells, sea-glass and rocks,
but it will also be home to a very special handbound leather journal! As last year, there will be a spa evening (at my house this year!) and maybe some artsy field trips! Each participant will receive a goody bag. I'll see what I can do about lining up some massages! The workshop and the accommodation are both at the Best Western Barclay which will make it really convenient and relaxing. There is a special conference room rate and you are responsible for booking your own accommodation Mention you're part of the Quietfire Retreat! Continental Breakfast, all day
coffee, tea and treats and lunches are included in the cost of the Retreat. To reserve your spot for this special weekend, the cost is $100 CAD which becomes nonrefundable after June 15, 2006. The balance of $120.00 is due at that time. Please check with me for availability at the retreat before you book your room! To register email suzanne@quietfiredesign.com
|
|
From Linda Tanaka:
when my dear Dad came down to spend a little time with us...my DH said to him as soon as he was in the kitchen...."make yourself at home, but never ever eat anything from that fridge unless you are 100% sure it is food!!!" I have paste, and glair and various concoctions for bookbinding and artwork in there...That paste looks quite tasty until it gets mouldy.... |
from Donna Cerny I need to remove that container of book paste, get rid of it, and cook up some new stuff. I try to put the paste in some sort of recycle-toss it container because it generally turns into a science experiment before I can finish it off! |
from Joanne Ross from me |
more from Donna Suzanne, I did one better than saving spoons for measuring dyes. Our first microwave oven was purchased to process dyeing wool for rug-hooking. "What's for dinner?" "One yard of off white wool with onion skins..." You had to be careful things didn't run dry because the wool would end up with the texture of a potato chip I'm told! |
|
Fabric ATC! Made with the fusible stiff interfacing (now available in the byhand Products section) |
|
Using Brilliance inks as resist! I can't remember where I read about this or who I heard it from, but it's a very cool technique. For this card, I stamped on glossy cardstock using Brilliance Gold ink and the Dotted Harlequin background. Once that was dry, I smeared (ahem, Direct-to-Paper application) Memories Sand ink over the background stamp. I wiped away any excess ink with a kleenex. When that was dry, I inked up the Italic Letters with the Brilliance Coffee Bean pad and stamped the letters. (I also used Brilliance Coffee Bean for the clock face - Magenta) The final addition was the Alphabet Brads and Earthy Square buttons. The brad prongs with a little stretching will go through the holes in the buttons and through the cardstock. Cool, eh? |
here is a close-up of the brads in the buttons. |
check out this little flying heart - made with
Gold Bails
and
Burgundy Puffy
Hearts
held together with Mini
Glue Dots
I believe I originally learned this technique from calligrapher Martin Jackson many years ago and if you've taken any of my weekly classes over the years then you have most likely tried this.
What is masking fluid? It's a rubbery fluid used by watercolour artists (and I'm sure others) to "mask" out areas in their painting they wish to remain white. It can be painted on with a brush (normally the brush is dipped in soap first, otherwise the masking fluid will never come out of the brush) and once dry it may be painted over with watercolours keeping the surface under the masking fluid untouched. When the watercolour is dry, the masking fluid can be removed by a rub with your finger or a "rubber cement pick-up". I always have my finger handy, so I use it!
You can letter with masking fluid. I use Winsor Newton (it's now available on this site).
Gather together your bottle of masking fluid, a small cup to pour into (okay, if you're really lazy then you can pour it into the lid, but it will get the threads on the cap gummy - ask me how I know this....) and a larger nib (I used a Mitchell Roundhand nib #0 without the reservoir). For this project I lettered on Arches 140 cold press watercolour paper.
|
|
Pour a small amount of masking fluid into the cup. Warning, this stuff has ammonia in it and it's rather stinky! | |
I dip my nib into the cup (not too deeply!) for this technique. The fluid clings nicely to the pen (this photo shows the underside of the nib where the reservoir usually sits on a Mitchell nib). Sometimes you need to wipe some masking fluid off the topside of the nib or you get thicks where your thins should be.... | |
This was really difficult to photograph as there is not much colour in the masking fluid. A bit of practice with this technique always helps! You can see I have it on quite thickly in some places and less so in others. Yes, some of my thins filled in with too much masking fluid.... You can see my liner underneath, gee it'd be nice of that "d" followed the slope line. You get to see all the warts, don't you? This will dry flat. Don't paint over it till the masking fluid is dry. |
|
For painting, I used the wet-in-wet technique. I used a wide brush to apply water all over the surface of the watercolour paper. Instead of using watercolours for this project, I used Magic Colour Acrylic Inks. (This allows me the security of being able to letter over top of the colour after it has dried - watercolour is likely to get messed up) It's always a bit of a surprise to see what you will end up with! | |
I diluted the Magic Colors in a Rinky Dink (about 50:50 with water) and used a smaller brush to add in Process Cyan Magic Color | |
The second colour I added was Mars Red. | |
The third colour was Delta Violet which is a very strong colour and can easily overpower other colours. Tip your paper this way and that and allow the colours to run. You can see the letters beginning to stand out. Allow this to dry |
|
Once the paint is dry, you may start rubbing off the masking fluid. Then go ahead and add the rest of the lettering to the piece. I used a Mitchell #3 1/2 nib for the small lettering. Keep in mind this is pretty rough paper! This month's Gentle Thoughts at the top of this
page is the final product from this demonstration!
|
2006 Current Schedule
To see a complete list (more or less!) of the classes Suzanne teaches, click here! |
|
Donna C. |
Joanne R. |
Linda T. |
Linda T. |
Mary-Beth |
Nadia |
Nancy C. |
Ruth |
Ruth |
Suzanne |
|
If you would
like to be notified of |
What came in the mail!Nadia sent me this very amazing envelope which included my Hand Mingle (see above for her hand mingle!) |
Artists whose work is shown in this newsletter retain the copyright on their own work.
byhand Newsletter | Quietfire Design home page |
Calligraphic Art | Handbound Books | byhandproducts | Ordering Information |
Publications | Exhibitions | Classes | About Us |
©
2006 Suzanne Cannon
This newsletter is for the personal use of the subscriber and may not be reproduced
without written permission from Suzanne. You are welcome to email or print it
in its entirety to share with friends, but ask that you include this copyright.
Thank you for your help and your understanding.