Techniques ATC Swap |
June 2005hosted by Tricia TrueMany thanks to Yogi Grunwald for scanning and sizing all the images on this page! |
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Napkin Art by Anne Atkinson Separate the three layers of napkins. Iron napkin onto freezer paper Cut out image, glue onto CS or ATC or ? Can be embellished with stamps or whatever Outline artwork with a Gold Krylon Pen Rub clear embossing pad over entire piece Sprinkle with clear UTEP Heat with heat gun for texture |
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Marbling by Beth Atkins
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Shaving Cream Technique by Beth Ann Walker Materials:
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Beeswax Collage by Carolyn Adams
I use a block of natural-colour beeswax and a small travel iron with no steam holes. I melted wax directly onto the soleplate of the iron and applied an even layer of wax to the background paper, then added a torn clipart image and various collage elements including scraps of paper doilies using the same method to build up the layers. The beeswax acts as both glue and sealer. The last step was to buff with a tissue and attach to the atc with PVA glue. (Visit the byhand Products OCS page for Clover Mini-Irons and Beeswax) |
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Pearlex and Spray Webbing by Charmaine Stack
Spread thin layer of Perfect Paper Adhesive (matte) over cardstock. Drop three colours of mica pigments (i.e. Pearl Ex) randomly on cardstock and spread with paintbrush or your fingers. Dust off excess. Apply one or two colours of spray web (spray paint in can that comes out in web-like strands) by spraying well above cardstock and letting webbing fall in place. Don't overdo! No need to seal, the PPA seals the pigments to the cardstock. |
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Surf and Turf by Dale Roberts
Start out with rusted metal (nails wire any metal rusted should do)..water colour paper wet metal on paper let dry remove.. fishing net dipped in water solution of ground earth and oxides spread net on paper - walk on it make print move it around till you get desired design. - add powdered to mix another walk on paper and here it is.. |
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Shadow Faux Batik by Donna Cerny
Stamp a simple image on white or ivory cardstock with clear ink or Versamark. Clear emboss. Restamp image in a dark color from your selected palette, placing it in a slightly different location so that it almost appears to be a shadow. Stipple background with colors of your choice. When finished, buff the card with a soft cloth or tissue so that inks are removed from the embossed area. |
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Handmade paper/ Dimensional paint ATC technique
by Elis Cooke
1. Cut cardboard or bristol board to 2 1/2 by 3 1/2. 2. Attach fragments of handmade paper and/or cast paper with glue. Let dry 3. Draw/doodle or write over the cards with fabric dimensional paint to create raised lines. Let dry. 4. Paint with a layer of black acrylic paint. Let dry. 5. Sponge, stipple and/or brush on acrylic or airbrush metallic paints in various colours. Let dry. (note: Createx has a great line of fluid airbrush acrylics- especially the chameleon/ pearl/ irridescent- much cheaper than Golden too!) 5. Rub on metallic waxes with Q-tip or fingers. Brush lightly to highlight the textures. |
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Metallic Rub Ons by IreneBazell Works best on dark card stock. Stamp image w versamark and emboss using clear embossing powder. Using "puffs", rub on coloured metallics. |
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Northern Lights by Jane Hewitt
Directions Variations
Calligraphy printed with Print Gocco |
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Fabric and Tyvek Beads by Jane Super |
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Stitching Technique by Joanne Ross Place page on top of your card to form a pocket. Holding two pages together punch holes evenly spaced from fold around the bottom and up to the top of the other side. Cut fibre approx. twice the length to be stitched. Thread fibre up through the first hole, leaving 3 in. Tie a knot and wrap thread around page to come up in next hole. Continue to last hole and tie a knot. |
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Roller Printing by Judy Babbidge
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Twinkling H2O's by Julie Benge
Stamp and emboss with detail black Paint with Twinkling H2O (color with metallic flecks, paints and blends jas as regular watercolors) |
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Drunken Chalk by Karen McLean
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Easy Paste Paper by Karla Hegemier
Need: Strong art paper like Mohawk or Strathmore Damp sponge Foam brushes Premixed wallpaper paste (comes in a paper milk carton) Acrylic paints (craft acrylics aren’t as vibrant, but work fine) Plastic containers for mixing Cup of water Various tools for decorating; combs, paint tools, stamps, Fiskars brayers, rubber or foam stamps, plastic forks, notched credit cards, anything! Smooth work surface larger than your paper Create cups of color. Fill with about a 1/4 cup of wallpaper paste & add drops of acrylic paint to desired color. Use a wet sponge to wipe down your paper. Wipe both sides to extend playing time. Lay out on smooth surface and smooth out air bubbles with damp sponge Brush color(s) on with foam brushes. Drag designs through the paste with your tools. PLAY!!! Gently remove from surface and lay out to dry. |
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Paste Paper by Kathy Mostardi
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Ranger Inks by Kaye Jorgensen
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Polymer Clay by LauraLee
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Skeleton Leaves by Lilo Ritter
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Credit Card by Linda Cameron
Take an old credit card, or similar type card and squeeze a light colour of acrylic paint onto the edge of the card. Scrape the card down your paper, top to bottom to spread the paint, leaving open areas. Continue with two more colours, each darker than the one before. A metallic colour as a last colour (could be a 4th colour) works very well. Play with it until you get the desired effect. Sometimes I like to go back and put a little light colour over top. Experiment with the direction you are scraping the card, and also try squeezing the paint in a squiggle right on the paper, then scrape with the card (my favourite way). Just be careful that you don't use too much paint! |
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Transparency Technique by Linda Tanaka backbround "hole" allows light to pass through colours to illuminate the "subject" - the disappearing natural world. |
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Chalk and Saran Wrap by Marg Hubbard
Using a square of scrunched Saran wrap as a sponge, daub chalk ink on ivory cardstock. Color Box chalk pads used on my card and in this order were: warm red, warm violet, burnt sienna and yellow ochre. |
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Faux Marble by Mary-Beth Janisse
Moisten the cotton ball with Blending solution. Apply a couple of drops of gold leafing ink. Smush the cotton ball over the glossy, refreshing the solution and ink as necessary. Variation - use Tsunieko gold ink and alcohol pads |
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Faux Petroglyph - Summer by Melissa Hubbard I used artist's mat board on this. I covered the white side with VersaMagic Aloe Vera, direct to paper. The image was made by melting embossing powder Sea Mist Pearls, by Stamp-n-Stuff, and Pearl Utee. I set this up in Utee Melting pots, and it was much easier than using a cardboard box and little waste of embossing powder. The image was stamped with VersaColor Green Tea. The stamp will slide when it touches the hot Utee , so be ready. Spray with fixative. |
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Faux Batik by Nadine Wong This is not a difficult technique but it requires a few steps and
alcohol inks. |
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Crystal Landscape by Nancy Quinn |
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Silk Fusion by Pat Gurski
Using a window screen material that is not metal,spread the silk fibres in a east-west direction and then in a north-south direction. You should have about 3 or 4 layers. Cover with another piece of window screen. Mix 1/2 tsp. shampoo with 1 litre of water. Use a sponge and wet both sides thoroughly. Use the sponge to wipe as dry as possible. Use a paint brush and brush on both sides a textile medium. Let dry thoroughly. Peel off window screen and then iron with a press cloth. You have a fused silk fabric for book covers or card layering |
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Alcohol Inks by Ramona Weyde-Ferche you'll need: Glossy Paper, Alchol Inks (I use Copic Refillers),
Spirit |
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Adirondack Alcohol Inks on Yupo by Rose Davidson
I dropped three colours of the Adirondack Alcohol Inks on a piece of Yupo that had been wet with the blender solution. Drop another drop or two to create patterns as the colours mix. Let dry and stamp with black STAZ-ON and favourite stamp or quote.. I added embellishment ( charm) with Aleen's Thick Designer Tacky Glue....easy peasy |
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Portfolio Pastels Technique by Suzanne Cannon Portfolio Pastels
are watersoluble oil pastels made by Crayola and not distributed in
Canada! (But
they are on my website and are either back in stock or will be very
soon!) They are very reasonably price and fun to
play with! Cut black cardstock into ATC sized pieces. |
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Homemade Rub-Ons by Therese Malak
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Rubber Cement Resist Background by Tricia True
Water Color Paper Rubber Cement Decorating Chalks Workable Fixatif Cotton Ball Getting Started Drizzle rubber cement on paper in any design you want. Let dry, over night works well. Use decorative chalks in many colors and go over the entire page. Spray with workable fixatif. Let dry, only takes a few seconds. Rub the cement off. Voila! An easy background. I went over a portion of your card again with chalk, coloring the white spaces giving another option. |
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Transparencies by
Vicky Martindale
Starting with a transparency image, you layer it on to a piece of metallic paper or cardstock with Diamond Glaze or Xyron --- some adhesive that dries clear. You can crumple the metallic paper first if you want...it adds more depth to the background. The finished effect will look like a faux tintype photo. The technique works best with a sort of "open" image, not too much detail if it is small. You can further enhance this by adding a top layer of double-stick tape to the image and rolling it in tiny glass beads...great for AB's, layering on cards or on ATC's, decos, etc. |
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Opalite Infusion by Wendy Klassen Supplies: Opalite Interference Pigment Ink pads (or Pearlex
Pads interference colors) |
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Tissue Paper Technique & Heart Embellishment by Yogi Grunwald Supplies: Tissue
paper |
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